Cherry Twist

cherryserver2    Dennis has used the open twist for  candlesticks in the past, but this new piece is the first time he has created a tall serving vessel with a twisted base.  To increase the strength of the twist, he has lengthened it somewhat.  It also tapers quite elegantly as it raises the shallow bowl upward.  The base adds stability, reflecting the ogee curve of the underside of the bowl.

The entire piece is turned from American Cherry.  As it ages, it will darken to the familar dark red cherry tones.  The finish is penetrating oil, with a hand-rubbed wax.

Overall height  10.5″  x  11″ diameter

The Practice Stick

practice-stick

Dennis Liggett – Skew Practice Stick  (hand-out from Demonstration)

Start with a 2” x 2” x 10” piece of stock

Mount between centers, and use the spindle roughing gouge or the skew to shave it to a cylinder.  Make the cuts by moving your body, not your hands!  Posture is the key to all skew work.

The first cut (top of photo) is the V-Cut.  This is the start of all shaping cuts with the skew.

The next shape is the half-bead.  Make the V first.  Starting at the top of the bead, roll the skew into the V, without stopping.  

The cove cut is more challenging with the skew.  You may also use a spindle gouge for the cove cut.  

To practice the ball and the egg, mark the fullest circumference in pencil.  Use v-cuts to lay out the length of the ball or egg.  Start at the pencil cuts and roll the skew into the V.  Don’t cut the pencil marks!

At the bottom of the practice stick, Dennis has shaved a narrow disk with V-cuts on both sides of it.  This is a good test of how much side pressure you are using.

Practice with the skew is the best way to learn correct bevel contact for all turning tools.

Practice every day for no more than 20 minutes.

Celtic Knot

 

Aspen with Malachite inlay 8" tall

Aspen with Malachite inlay 8" tall

 

Dennis has always been interested in celtic knot decoration.  The challenge with the form was to draw the knot so that there was no visible starting or stopping point.  He then carved the channels for the stone with a dental drill and inlaid the crushed malachite.

This piece was sold by a gallery that also featured jewelry made from turquoise and other semi-precious stones.

Freeform – Treeform

Working with green wood has been a new adventure for Dennis.  He turns these natural edge vessels down to less than 1/16th thickness in the first session on the lathe, and then refines them in the final session.  The thin walls ovalize as they dry, but the bark stays on most of the time.  Dennis started out with Richard Raffan’s advice to avoid turning feet on the vessels:

Deep Ash Vessel

Deep Ash Vessel 8" x 8" dia

Natural edge vessels are fascinating because they are often turned sidegrain.  This means that the vessel’s vertical dimension is perpendicular to the trunk.    (Picture the curve of the rim as a circle wrapped around the trunk of the tree.)  As the wood dries, it moves into a more ovalized shape along the vertical dimension of the fibers.

The appeal of the form is evident in the way that the lighter sapwood emphasizes the shape, drawing attention to the graceful curves of the grain.    This one is restrained –almost in-curving at the rim.  It sits quite securely on the base, which allows just enough shadow underneath to lift it slightly off the table.

Dennis turned the deep ash vessel from a freshly cut ash log in January 2009.

Small ash vessel

Small ash vessel 4" x 4" dia

This much smaller vessel, pictured at closer range, has a very rounded base, which made the vase ‘weeble’ back to the upright position when it was tipped to the side.   The good sense of balance of this piece is evident when you hold it in your hand.

Dennis began  turning feet on his vessels in ash and cherry in December and January of 2009.  He went through a whole cherry tree exploring the challenge of fitting the correct foot to the vase.  This one captures something of the gesture of outstretched arms.  Cover the foot, and you lose that sense of lift.

Adding a small foot to the form

Adding a small foot to the form

2009 Activities

In January 2009, Dennis continued producing turnings from a fresh cherry tree cut down in Missouri by Greg Paige.  Natural edge bowls sold well at the ‘3 from the Rockies’ show at Living Arts of Tulsa in November, so Dennis decided to continue working with this form.    In February, while attending the Desert Woodturning Roundup, Dennis found a bowl in a Scottsdale gallery made by Bert Marsh.  That piece inspired him to return to the shop and explore the nuances of turning a foot on the natural edge bowls.

This interest in natural edge turning began in 2008, when the Pikes Peak Woodturners took on the Empty Bowls fundraiser as a service project.  The club provided over 100 bowls for the event.  Dennis made about 30 of those, and then just kept turning, as he continues to refine the shapes.  The winter provides good woodshop time for Dennis in Monument, Colorado, where snow stays on the ground for weeks at a time.

In March, Dennis demonstrated general twist work for the Denver club, and skew chisel and turning a practice stick for the Pueblo woodturning club.  He finds that many woodturners entering the craft in the past few years have skipped spindle work and skew chisel control.  With renewed interest in architectural and furniture applications, there is a renewed demand for these skills.

Dennis offers lessons in tool control to members of the Pikes Peak Woodturners as one of mentors of the club.  During February and March, he provided hands-on tutorials in both thread chasing and use of the skew chisel.

April and May will require considerable travel time for Dennis.  He will be demonstrating at the Southern States Symposium (see Events listing) April 24-26, and then for the Palmetto Woodturners in early May.  After that, he has a class scheduled at the John C. Campbell Folk School.  During the gaps in the schedule, he will visit with Nick and Kathy Cook, and find time to join in the camaraderie at Nick’s studio in Marietta, Georgia.

In June, Dennis will be demonstrating at Ft. Collins and the Pikes Peak Woodturners will be preparing for their first all-club show, opening at the Manitou Springs Business of Arts Center on July 3rd.

In early August, Dennis will host Nick Cook for demonstrations and classes on the Front Range of Colorado.

Dennis hopes to make another wood-gathering trip to Missouri and a fishing trip to Tincup, Colorado in August or September.   He also hopes to make a return trip to England in 2009 to visit some English woodturning friends.

If you are looking for a demonstrator for a club or symposium, give Dennis a call at 719-481-8754 to check the availability of dates for your organization.

Twist and Turn at Southern States

Dennis offers 3 different rotations at the Southern States Symposium, April 24-26th in Gainesville, GA.  

TWISTED LAMINATED GOBLET:  Dennis slows down Stuart Mortimer’s virtuoso goblet demonstration so that you can learn the keys to success.  The goblet is made in four parts and includes drilling through 7″ of endgrain for an insert of contrasting wood.  The goblet stem is then twisted.  This method makes judicious use of those expensive speciality woods.  Learning the drill technique alone is worth the price of admission!

 

contrast wood option

contrast wood option

 

THREADED BOX:  The correct sequence, and all of the steps needed to successfully hand-thread any project with simple tools in the tradition of the English hardwood and ivory turners.  With this method, you will not hesitate to thread even temporary jam-chucks for finishing the base of fine boxes.  If you thought a British Commonwealth accent was necessary for hand-threading, you will enjoy the way Dennis describes the process in plain Merikan dialect.

MULTI-AXIS CANTEEN:  The classic wooden canteen, learned from Chris Stott, threaded or unthreaded, with same or contrast woods, and decorative variations.  Dennis gives lots of design ideas to demonstrate how to use a technical skill as a jumping off place for developing your own style.

Dennis will have detailed hand-outs available at the Symposium.  He will repeat at least two of these demonstrations for the Palmetto Woodturners at their May event.

Let Your Work Take Flight – May 3-9, 2009

John C. Campbell Folk School
Brasstown, NC

Challenge yourself in a fun course that will greatly increase your technical capability. Advanced techniques such as thread chasing, twist work, and stone inlay will be covered. Students should have intermediate-plus skills in basic woodturning and be competent with both spindle and bowl gouges.

Online signup is available now.

Turquoise Inlay

 

Summer Olympics 9" tall

Summer Olympics 9" tall

 


Dennis chose to explore using local materials for woodturning when he moved to Colorado nine years ago.  Aspen is a challenging wood for woodturners.   Many times, it lacks the beautiful figure that woodturners value.   Dennis decided to use turquoise–a native mineral in the mountain west–to enhance the forms.

Rock paintings are the inspiration for the Olympic sports figures used on this piece.  To add contrast, Dennis chose a red pipestone for the inlay on the carved figures.  

If you are interested in trying stone inlay, sign up for one of the demonstrations that Dennis offers for local woodturning clubs, or call for coaching:  719-481-8754

Many woodturners use a variation of this carve/inlay technique.  Stephen Hatcher is another woodturner who works with semi-precious stone inlay.  Coincidentally, he was born in Colorado Springs!

Lacey Edge Goblet

Note:   The ‘How-to’ technical notes for making twistwork are found on the ‘Skills’ tab of this website….

The lacy edge adds lift to this more substantial goblet form. Cover the rim, and you will discover that the lace is not ‘fluff’–it creates the success of the piece. Ornament at its best completes and energizes the form. Dennis learned this technique working with Stuart Mortimer.

 

Twins - not a conventional set

Twins - Both are right-hand twists

 

Dennis turned these goblets for the Southern States Symposium demonstration from canary wood, with a laminated stem of holly and canary wood.  They are 10 1/2″ tall.   The twist is a right hand twist, which means that it appears to rise from left to right.  Sometimes a pair of goblets or candlesticks will have one right-hand twist, and one left-hand twist.

The goblets are decorative, although they might be used once or twice for a special toast.  Spirits will definitely damage the finish.

Canteen

 

Dennis loves to teach the canteen, threaded or not, to more advanced turners who enjoy the magic it carries, along with spirits if made of white oak.

 

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